Pre-order of Empty and Pointless. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Electronic musician/producer Chad Blinman (The Legion of Doom, Viva Death) presents the first new Real Space Noise releases in 13 years: the LP Empty and Pointless and companion EP Lost Science.
“‘Sci fi electro-rock’ is my somewhat awkward attempt to describe the project in as few words as possible,” says Blinman. It’s an apt descriptor, for music that doesn’t fit neatly into any existing genre. To create Real Space Noise, Blinman borrows liberally from early electronic music and B-movie soundtracks, 70s/80s post-punk and new wave, industrial, shoegaze and trip-hop; yet he seems determined to avoid easy clichés and retro trends, forging from raw materials his own brand of dark, brainy postmodern electropop.
A 30-year veteran of studio recording, Blinman moves fluidly through disparate realms of technology, recording and processing sound with cutting-edge digital tools while inviting and amplifying the analog noises and artifacts of the esoteric synths, drumboxes, tape machines, spring reverbs and other arcane devices in his studio. Echoes of the early BBC Radiophonic Workshop are pervasive in Real Space Noise: magnetic tape bricolage, test oscillators bathed in mechanical reverb and tape echo, crude techniques deployed for warbly, distorted character. Ghostly radio transmissions and swirls of synthesized atmosphere are punched through by thick drum beats and sharp-edged sawtooth basses. Acoustic and electronic timbres collide, contrast, and mesh together; moments of stark minimalism drift between towering constructions of guitars, drums and synths. These mixed-technology soundscapes make an apt setting for Blinman’s voice, and for his subjects: humanity’s relationship with technology, information and superstition; treachery in political, social and corporate power systems; the grim comedy of life in the 20th century’s “world of tomorrow.”
Digital booklet included with album purchase.
releases October 4, 2019
Composed, performed and produced by Chad Blinman
Recorded, mixed and mastered at The Eye Socket by Chad Blinman
All songs: Music and lyrics by Chad Blinman
Published by Zooxot Particle Mechanics/BMI
All sampled audio, video and photographic materials are from sources in the public domain
Graphic design by Chad Blinman
Cassini mission images 2016-2017 courtesy NASA/JPL-Caltech/Space Science Institute
REAL SPACE NOISE is the work of electronic musician and producer Chad Blinman.
This work is made
with synthesizers and samplers, drums and guitars, computers and radios, voices and echo machines, analog and digital, order and chaos. It sounds like radiophonic post-punk electro/industrial new wave gothic science fiction art rock....more